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“This was one of the strongest programs I have ever taken—especially working with a story editor. I will apply again and again!” – Geordie Sabbagh, Producer

“Having an objective, outside eye like Marguerite Pigott’s has been instrumental in helping me see the story in a new light. Her questions have deepened the theme and strengthened the key characters’ motivations. All in all, I feel the story has both more clarity and more nuance as a result of our work together.” – Lindsey Connell, Writer

“This gave us a wonderful opportunity to focus on the development of our script and the promotion and marketing of our film…We gained much from the process of evaluating the projects and working with the fellow producers and writers that were gathered. As a result of the Incubator, Deborah Ellis has already delivered three revisions of our script and we have had great sessions with our Story Editor—Margaret Glover. We have also redeveloped our web site and our marketing material for presentation. We plan to present the script and the opportunity for investment, in the next few weeks, to qualified investors and potential producing partners.” – Karen Pascal, Producer

“The script has come such a long way. We were lucky to be given a wonderful story editor called Maureen Dorey. Her feedback has been incredible and we are getting very close to a product that we are all very excited about.” – Audrey Cummings, Producer

“As a producer, the WIFT program introduced us to some very important business, legal, and production relevant contacts. In the weeks following the program, we have met with a VFX post-production house recommended to us through the program and have kept in touch with several of the other producers and directors, who have discussed theirs and our projects with the goal of preparing them for market.” – Jeremy Morris, Producer & Writer

“The feedback we received was instrumental to us ending up with a product we are both proud of and proud to show around.” – Audrey Cummings, Producer

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